Cracker Ravioli

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"Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum."

"Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum."

Northern Nile Living

Artist, John Uzi introduced the world to his eponymous collection of clay vases in 2018, each taking 1,000 hours to construct, making them the only suitable partner for nature’s best flowers.

Look

Look

Artist, John Uzi introduced the world to his eponymous collection of clay vases in 2018, each taking 1,000 hours to construct, making them the only suitable partner for nature’s best flowers.

Look

A Peek Into Njideka Akunyili Crosby

The artist Njideka Akunyili Crosby was 16 when she left her native Nigeria to study in the United States in 1999. Having grown up in the city of Enugu, she went on to earn degrees from ­Swarthmore ­College and Yale, after completing post-bac studies at the ­Pennsylvania Academy of the Fine Arts. As a young African immigrant, she learned to straddle the divides between black and white, African and American, local and foreign, while negotiating her own identity between worlds.
Her imagination has served her well. Akunyili Crosby’s collage paintings on paper, with their cinematic depictions of domestic interiors, lovers, and private social gatherings, lure the viewer into a riptide of images that tell complex narratives about dislocation and transcultural daily life.

And yet, she recalls, she had experienced much greater culture shock when she moved from her home in southeastern Nigeria to Lagos, where at the age of 10 she was accepted into one of the country’s most prestigious girls’ boarding schools. There she discovered a pulsing, cosmopolitan city, and met, for the first time, girls from wealthy families who had the means to travel for leisure. These “bobblers,” she remembers, often returned from school holidays with the latest Disney merch and accounts of the American TV shows they had watched overseas.

Art we love